I have been exploring this abstract body of work for close to a decade now, spanning across painting, printing, and textiles. I’m interested in breaking down the idea that serious art must feel distant, exclusive, or intellectually guarded. Black & Folk art traditions have always had a way of holding complexity while still inviting people in…setting the table for celebration, grief, humor, survival, and beauty all at once. That openness influences my practice deeply. In my abstract practice, I want the work to feel accessible without losing depth, emotional without becoming decorative, and personal while still connecting to collective experience.

My work lives in the space where joy and pain meet — not as opposites, but as experiences constantly shaping one another. As a mixed-race artist, illustrator, and designer, I create abstract pieces that turn internal narratives into something visible and shared. Color, texture, and movement become a language for emotions in a meditative practice. Through my work, I look to expand on the nuances of personality that are often difficult to explain but deeply and objectively familiar.

Ultimately, my goal is to create work that allows people to recognize themselves in it…to make pieces that celebrate vulnerability, resilience, and joy existing together without apology. I look to create atmospheres where meaning can emerge intuitively; calling the viewer to participate in decoding the narrative; tracing the artist’s creative suggestion through instinctive strokes, punctuated with moments of deliberate structure. The combination of whimsy, form, and eye-popping color create an immersive play the eyes, never shy to highlight places for them to land safely amid the chaos.

Multimedia


An Interactive Module for Color Theory x Memory

Digital Identity

Around 2021, amongst other things, I remember I started working hard at navigating effective prompting. Coincidentally I was also having these intense migraines that if I’d close my eyes, I’d see these super-contoured depictions of peoples’ faces strobing across my darkened vision. When it would occur, thankfully as seldomly as it did, I remember despite such a pain behind my eyes…what was in front of my eyes was something truly breathtaking.

I started this project in an attempt to record my face during those perilous moments, and playing around with the results had me testing the limits of Wonder AI gen 2.8 interference. More recent generations of AI can better differentiate hallucinations, sure, but I was intrigued by using the tool to reflect a ‘digital self’ in all of it’s objective inhumanity.

By prompting feedback loops over multiple iterative rounds, I slowly worked toward a cohesive, albeit completely inaccurate, representation from a third person perspective, the digital. The only question I would ask is: How am I seen by the machine?

~a.d.

‘My digital self, and migraine’ - 2022 Adriaan Doering-Dorival (mbd) Gen. 2.8

Making assets, not content

Over the years, I have used Adobe Products within my workflows…usually to various degrees of success. while i have been grateful for cross-platform functionality, I’ve always felt there was a something missing; and would constantly hit orocedural barriers barrier myself and the work. I recorded a little bit of one of those ‘print’ processes for applying patterns in my work. Skipping the emulsion process, color separations are recorded individually as 2-tone ‘screens’ to be applied to any work at any time in any scale. I found that this formulaic workflow gave me the perfect mix between flexibility and structure that i could basically access in seconds wherever I had a phone ready.

~a.d.

Future Projects:

Since ‘21 I’ve been ‘medium’ at work investigating effective prompt and code engineering on both market-level and custom ML systems. I am mindful of circumstances of it’s abuse, so I use AI in focused methodology, in both professional and creative projects if logical, whether that means something as simple as reverse image searching outputs or something more challenging as developing original code for application.